{"id":830,"date":"2018-08-27T11:43:02","date_gmt":"2018-08-27T09:43:02","guid":{"rendered":"http:\/\/xeroxex.de\/?p=830"},"modified":"2018-10-02T06:22:40","modified_gmt":"2018-10-02T04:22:40","slug":"xerox-exotique-36-kollaps-tba-19-11-2018","status":"publish","type":"post","link":"https:\/\/xeroxex.de\/?p=830","title":{"rendered":"Xerox Exotique #036: Kollaps &#8211; The Brown Toners &#8211; 19.11.2018"},"content":{"rendered":"<p class=\"m_-6306306718271654224gmail-p3\"><span class=\"m_-6306306718271654224gmail-s1\">Since 2015\u2019s debut EP Heartworm, Melbourne industrialists <strong>Kollaps<\/strong> have refined their restless brand of harsh, post-industrial noise. Recruiting doom\/noise veteran Damian Coward [Heirs, High Tension] to bass\/percussion\/production in 2016, Wade Black (vocals) and Robin W. Marsh (drums, programming) offer up SIBLING LOVERS, an LP that intensifies the conflict between the twin energies of confusion and control at the core of Kollaps\u2019 sound.<\/span><\/p>\n<p class=\"m_-6306306718271654224gmail-p3\"><span class=\"m_-6306306718271654224gmail-s1\">The band\u2019s distinctive jarring textures and crude tones are created using re-appropriated waste materials like scrap metal, raw plastics and steel beams. For the band, this isn\u2019t an empty gesture to the industrial genre, it\u2019s a way to literally use the detritus of postmodern society against itself. The band also subvert convention by bypassing the desk and running their vocals directly through amplifiers, thereby injecting a hint of their live intensity into the recording. The overall effect is again of contrast- the band\u2019s raw, provocative voice is amplified by the record\u2019s subtly confident production.<span class=\"m_-6306306718271654224gmail-Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p class=\"m_-6306306718271654224gmail-p3\"><span class=\"m_-6306306718271654224gmail-s1\">Conceptually, Sibling Lovers follows Heartworm\u2019s exploration of a societal sickness that manifests itself in the debasement of the individual soul. For lyricist Wade Black, Sibling Lovers is introspective and confessional; images of actual physical sicknesses (cancer, colostomy bags, heart worms) are used to make sense a malignant world of slaughterhouses, incest and alcoholism.<span class=\"m_-6306306718271654224gmail-Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p class=\"m_-6306306718271654224gmail-p3\"><span class=\"m_-6306306718271654224gmail-s1\">But it\u2019s their intensity as performers, rather than their gruesome lyrical content that has built Kollaps a reputation for ferocious live shows and violent performances. Steadily drawing raucous crowds around Australia, alongside some of the best local and intentional underground performers [Brighter Death Now, Trepaneringsritualen, Armour Group, Operant, Blixa Bargeld, Youth Code &amp; Pharmakon].<span class=\"m_-6306306718271654224gmail-Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p><a href=\"https:\/\/kollaps-noise.bandcamp.com\/\">kollaps-noise.bandcamp.com<\/a><br \/>\n<a href=\"https:\/\/www.facebook.com\/Kollapsmusic\/\">www.facebook.com\/Kollapsmusic<\/a><\/p>\n<p><strong>The Brown Toners<\/strong> are researchers of somatosonic responses, with a special focus on peristaltic incitement.<\/p>\n<p><span class=\"_4n-j fsl\"><span class=\"text_exposed_show\">19.11.2018, doors open at 20:00, starts at 20:30<br \/>\nAdmission 9 Euro<br \/>\nINM \u2013 Institut f\u00fcr Neue Medien, Schmickstra\u00dfe 18, 60314 Frankfurt am Main<br \/>\nEntrance is on the right side of the building, then go all the way to the top.<br \/>\n<a href=\"http:\/\/inm.de\">inm.de<\/a><\/span><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-828\" src=\"https:\/\/xeroxex.de\/wp-content\/uploads\/XE036.png\" alt=\"XE#036\" width=\"800\" height=\"846\" srcset=\"https:\/\/xeroxex.de\/wp-content\/uploads\/XE036.png 800w, https:\/\/xeroxex.de\/wp-content\/uploads\/XE036-284x300.png 284w, https:\/\/xeroxex.de\/wp-content\/uploads\/XE036-768x812.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since 2015\u2019s debut EP Heartworm, Melbourne industrialists Kollaps have refined their restless brand of harsh, post-industrial noise. Recruiting doom\/noise veteran Damian Coward [Heirs, High Tension] to bass\/percussion\/production in 2016, Wade Black (vocals) and Robin W. Marsh (drums, programming) offer up SIBLING LOVERS, an LP that intensifies the conflict between the &hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-830","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/xeroxex.de\/index.php?rest_route=\/wp\/v2\/posts\/830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xeroxex.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xeroxex.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xeroxex.de\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/xeroxex.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=830"}],"version-history":[{"count":5,"href":"https:\/\/xeroxex.de\/index.php?rest_route=\/wp\/v2\/posts\/830\/revisions"}],"predecessor-version":[{"id":853,"href":"https:\/\/xeroxex.de\/index.php?rest_route=\/wp\/v2\/posts\/830\/revisions\/853"}],"wp:attachment":[{"href":"https:\/\/xeroxex.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=830"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xeroxex.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=830"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xeroxex.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}